Showing posts with label Girdle book. Show all posts
Showing posts with label Girdle book. Show all posts

Sunday, March 29, 2015

Book #88

Girdle Book

This is an example of a girdle book. At least, this is my attempt at making a journal that looks like a girdle book. In this case, I know it is not constructed as they would have been in the 15th century. (Let's just say, mine is a casual interpretation of the binding.)

Historically, girdle books were often religious texts, fully bound in leather with a long tail of leather extending from the bottom of the book. Sometimes it was just carried by hand, or the tail could be tied into a knot and tucked under a belt (i.e. the girdle), to be carried hands-free. Hands-free technology.... The book would be hanging upside-down. When the owner wanted to use the book, he could just reach down and bring the book up and it would be upside-right, and it never has to be detached from his belt. More about girdle books.

This girdle book journal is for sale in my Etsy shop.

Wednesday, February 02, 2011

Wednesday, January 12, 2011

Girdle Books

Another project that I was working on in the last few months, was making a few more Girdle Book journals. I have made some before and each time, I tweak the process a bit. As always with the girdle books that I make, I'm not technically binding these like they would have been done historically - I'm playing the 'artistic license card' with a lot of the details. You can read a bit more about this structure in an earlier post. This time I sewed my own endbands which, I think, is a nice touch. This is how it looks after the text blocks are ready with endbands completed.


Some of them looked better than others in the end, here are a couple of the better ones up close.


I wanted to use my own marbled papers for the endpapers too so the endbands were made to coordinated with them.



I used leather for the coverings and added either metal corners or raised bands and each one has a clasp.




Sunday, August 05, 2007

My Girdle Books


The Girdle Book was the last item on my original list of historical-bindings-to-do, and now they are finally finished. I have experimented with the Girdle Book a few times before, but these are certainly the most refined. This is also the first time that I have used any embellishments. The dark brown book is made with deerskin, a very thin suede split. The white book is lambskin, also a thin suede split.

These are not technically "bound" like Medieval girdle books. I just tried to make books that look like Medieval girdle books.


In The Archaeology of Medieval Bookbinding, Szirmai dedicates a few pages to the girdle book. It is a late medieval book structure, most originating during the 15th century, and it was represented widely in paintings - there being over 800 documented visual depictions of the girdle book. In the artwork, it is usually being carried by biblical figures, clergy, monks, nuns, etc. There are just 23 extant girdle books now and all but four of these are religious texts (Szirmai 236-7).


Generally, the girdle book was a small book, covered in leather with a long extension of leather at the bottom of the book. Sometimes the extension was left loose and just carried in the hand, or it was knotted so that the knot could be tucked under the belt (i.e. the girdle). So the book would be hanging upside-down. So if the carrier wanted to use the book, he could just reach down and bring the book up and it would be upside-right, and it never has to be detached from his belt. It seems like an efficient model. Imagine how easy it would be to read while traveling. If he was on the back of a mule (or whatever he would have been using), he could just read and not worry about dropping the book. As long as his mode of transportation has eyes, this would be ideal.

Some of the girdle books were very plain, but there are some examples of highly decorated girlde books with brass corner pieces, engraving, tooling, ornate fastenings and clasps, and maybe even a coat of arms or other adornment in the center of the cover. I kept my books embellished with the basics: corner pieces and one fastening. Medieval books typically had two fastenings - but I just play the "artistic license card" whenever necessary.