Anne of Green Gables

As I mentioned in June last year, I was fortunate to have two of my books accepted into the Kindred Spirits Exhibit, a juried bookbinding exhibit organized by CBBAG. The exhibit is in recognition of the life and work of L. M. Montgomery, to mark 150 years since her birth. The exhibit is travelling to various galleries in Canada and is currently at Western Univerisity. The project website has the full exhibition schedule.

One of my books for this exhibit is a full leather rebinding of Anne of Green Gables. This is a 1952 edition that belonged to my mother. She gave it to me a few years ago and suggested that I repair it, since it had some damage to the covers and part of the spine material was missing. So, when this exhibit was announced, I deicded it was time to do something with it. I also made a custom box for it. The marbled paper is my own and it is used as the book's endpapers and inside the box.


The second book is more of an artists' book, called "Summer." I used just a few lines from Anne of Green Gables as the content for this book.

Anne had the golden summer of her life, as far as freedom and frolic went. She walked, rowed, berried, and dreamed to her heart's content and when September came she was bright-eyed and alert, with a heart full of ambition and zest once more.

Each of the pages is hand-decorated with watercolour washes and ink drawings and I printed the text with some antique brass type. The book and box are covered with yellow bookcloth and have some of my own marbled paper inside. The book is a hardcover, 2-hole stab binding.


You can find more pictures of the books and order the catalog on the Kindred Spirits website.

Susan Mills exhibit "Field Books: birds, buoys, seeding, rain"

Currently at Hermes Gallery in Halifax, Nova Scotia is an exhibit of work by Susan Mills. Susan is a book artist, poet, and bookbinder from Nova Scotia and who also has lived and worked in Saskatchewan and New York. Her work is largely inspired by the space and materials around her and the contrasting environments where she works are evident in the exhibit. This exhibit is curated by Barbara Louder. This exhibit runs from Aug 10 to Sept 1, 2024 at Hermes Gallery in Halifax. Hours and location details are available on the gallery's website: www.hermeshfx.com.

Detail of Susan's piece, The Fourth Driest in 115 Years Field Notes at Hermes Gallery. See more on her Instagram account.

Kindred Spirits Exhibit

The Kindred Spirits book exhibition kicks off this week in Charlottetown, Prince Edward Island. As it says on their website, "Kindred Spirits is a touring book arts exhibition that responds to the work and life of Lucy Maud Montgomery. The pieces were created by members of the Canadian Bookbinders and Book Artists Guild (CBBAG) as an acknowledgement of the enduring legacy of Lucy Maud Montgomery at the 150th anniversary of her birth."

Details about the exhibit locations, the jurors, and the exhibiting artists can be found on the Kindred Spirits website as well. I'm excited to have had two books accepted into this exhibit. One is a full leather rebound copy of a 1956 edition of Anne of Green Gables that my mother received on her tenth birthday. The second book is an artist's book that I made featuring a quote about Anne. Both have custom clamshell boxes. There are a couple of photos on the Kindred Spirits website now, but I will post more photos here when I get a chance.

Of course, the best way to see my books, and all the other amazing work, is to visit the exhibition in-person. I will be in Charlottetown for the opening reception on Friday and for the "make and take" pamplet binding workshop on Saturday! The Charlottetown exhibit will run from June 19 to August 23, 2024. After that, the exhibit will travel to different locations across the country right into 2026. Check the website for locations that have been confirmed and more locations may be added. I hope everyone gets a chance to see the exhibit. Happy Birthday, Maud!

"Book Club" group show at Hermes Gallery

Hermes Gallery in Halifax is currently exhibiting a collection of book and text-themed works in a group show called "Book Club." Works on show are by several members of the gallery as well as a couple of special guests, including the Nova Scotia Book Arts Group. The Book Arts Group has contributed a wide range of handbound books including blank journals, a sculpural artist's book, and even a medieval wooden board binding. There are photos of all the books posted on the NSBAG website.

There are two books in this exhibit that I bound. One is my copy of Lock's Bookbinding Materials and Techniques 1700-1920 which is bound using a split board library binding in quarter leather. It also features my original marbling on the covers, as well as matching marbling on the edges of the textblock.


The second book bound by me is the NSBAG community art journal that was created in October 2023 during Halifax's annual Nocturne art-at-night festival. The public was invited to create the pages for this book following the prompt, "What is your favorite thing?" As the pages were finished, they were bound together into this book so the content and structure of the book were created concurrently. This is a photo of the book as it was being sewn during the event and then the finished book.


The finished book is currently on display at Hermes Gallery and members of the public are free to flip through the pages and see the artwork that was created by members of the community or find the work that they contributed at the event! There is more info about this project on the NSBAG website.

In conjunction with this show and on behalf of NSBAG, I conducted a little bookbinding workshop at the gallery last weekend. In this workshop, everyone bound their own miniature copy of The Raven. I created the textblock specifically for this workshop, formatting the text and preparing the colophon beforehand, so everyone had a tiny textblock ready to go at the beginning of the session. At the end of the workshop, we had produced this little edition of tiny books!



There are a few more photos of these miniature books on the NSBAG website.

The "Book Club" show also features a fabulous collection of letterpress posters made by Amos Paul Kennedy. They look amazing all displayed together like this.



There are also many other items to see at this show including art books, sculptural works, text-themed photography, prints, tiny text, a tunnel book, and a variety of printed matter. Well worth a visit! The exhibit continues until April 21, 2023. More info available on the Hermes Gallery website.

Workshop Roundup

In between the ordinary day-to-day bookbinding projects, I have also been teaching workshops quite regularly although I haven't shared the results here for a long time!

New spring and summer workshops are happening soon. Registration is underway at the Centre for Craft in Halifax NS as well as Honeybee Folk School in Fredericton NB and Atelier d'estampe Imago in Moncton NB and the Chester Art Centre in Chester NS.

In the meantime, here's a recap of that last few workshops taught at the NS Centre for Craft.

Dec 2023 - Students made these personalized monthly agendas using a hardcover pamphlet binding technique.

Jan 2024 - My students made these wonderful case bound journals.

Feb 2024 - We had a workshop to make these amazing clamshell boxes.

Mar 2024 - The box making class concluded with everyone making a round box with a lid and a small trinket box.

Welcome 2024!

EDIT: Jan 7, 2024
Thanks to everyone who commented for a chance to win this handmade monthly planner! I made a list of all the names from the blog comments and the Instagram comments and then used a random number generator to pick the winner, which was #16, also known as Purple Butterfly Paper! Congrats! The book is in the mail!

ORIGINAL POST
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Happy new year, everybody! I'm going to kick off the year with a giveaway, as I've often done in the past, perfect for those of you who still like to write in real books. I have one handmade book to give away and it is a 2024 monthly planner, shown below.

It is a hardcover book with my own original marbled paper on the covers. The spine and corners are dark grey cloth. The book contains a printed monthly calendar for 2024. In addition to the calendar pages, there are also standard pages for personal information, lists, and some blank pages at the back. The various preprinted text is in both English and Chinese. There is a flyleaf of handmade paper, which happens to be a sheet of paper that I made myself. There is also a pocket inside the back cover for tucking in whatever loose things you need to save throughout the year. It is 15cm wide and 21cm tall (6" X 8.25").

To get your name included in the draw, leave a comment on this post before 11:59 PM (Atlantic Time) January 6, 2024 and include your email or a profile link that will allow me to contact you if you win. Also, tell me something interesting: maybe your new year's resolution, or perhaps a book recommendation for my reading list, or tell me some obscure fact that you happen to know! You can get a second entry if you also leave a comment on the associated Instagram post.

After the deadline, I will number all the entries and use a random number generator to select a winner. Then I'll contact you and let you know. I will ship the book, for free, anywhere in North America.

Wrapping up 2023 with little boxes

Merry Christmas, happy holidays, season's greetings, happy solstice, lovely day! Take your pick!

I tried one final little project for the end of the year, involving folding pretty paper to make little boxes. I tried a variety of origami box structures looking for one that might work for packing up some little books. I had two main requirements for the boxes. Firstly, the miniature books needed to fit in the box, and secondly, I wanted the box to have a lid.

Initially I thought it should be a rectangular box so I attempted several rectangular boxes but couldn't get the dimensions quite right. I also tried a little box with a window (seen at the top of the tower), which I really like, but I wanted more lid.

After quite a lot of trial and error, I settled on the standard origami Masu Box. I've seen a couple different ways to make a Masu Box. There's one method where you start by folding the paper into thirds. Then, there's another method (more common, probably) where you start by folding the paper in half diagonally like these simple instructions here. I used this version, since it was easier to tweak it and make a well-fitting lid. These are the final boxes that were the best sizes and had the best lids:


Only eleven posts on my blog this year, sheesh. As usual, I'll sign off 2023 by saying that I'll try to post more often in the new year!

NSBAG Book Swap

A few weeks ago, the Nova Scotia Book Arts Group hosted its first book swap. Anyone in the group who wanted to participate just had to make a blank book, bring it to the meeting in November, and then they got someone else's handmade book to take home. I've been participating in various book swaps for years. Christine Cox, of Volcano Arts, used to host book swaps which were done online and through the mail and those were the first swaps I did. Later I found several other occassions to participate in swaps and exchanges for blank books, marbled paper, and artist's books. Many of these have been documented here on my blog over the years if you want to scroll back and find some of my old posts.

For the recent NSBAG swap, I made this half leather binding with my own marbled paper on the covers. The structure is a traditional library style binding constructed with split boards and sewn headbands.


There were 17 participants in the swap so there was an impressive range of bookbinding techniques and materials represented. You can see all of the books on the NSBAG blog.

Mind Your Ps and Qs

Mind Your Ps and Qs was a recent exhibit held at NSCAD's Port Loggia and Treaty Space galleries in Halifax, NS. This exhibit was a celebration of the Dawson Printshop and Bindery and all the amazing work that has been created by folks who have studied and worked there over its many years as a focal point of book arts education in this city.


As a Dawson alumnus I was thrilled to have a couple of my own books included in the exhibit alongside the 15 other artists. The scope of work included traditional bookbinding, artist's books, letterpress printing, printmaking, and tool making. The photos above provide a glimpse of some of the other work in the show by (top L-R) Charles Salmon, Em Doucette, Joe Landry, Odyssean Press, (bottom L-R) Robin Wolfe, Katherine Victoria Taylor, Em Tremblay, and Nat:Shaw.

Congratulations to the Dawson Printshop and Bindery for its enduring influence on the local book arts community and to Odyssean Press and others who helped to make the exhibit a success. An extensive review of the exhibit has been posted on the Nova Scotia Book Arts Group blog.

Sustainability Through Craft

I'm happy to be part of the annual member exhibit at the Centre for Craft Nova Scotia. This year's exhibit is called Sustainability Through Craft. The exhibit runs from September 22 to November 5, 2023 at the Mary E. Black Gallery in Halifax.

Sustainability Through Craft is a thought-provoking, participatory exhibition. Through various craft practices and mediums, 21 members of Craft Nova Scotia explore four pillars of sustainability: social, cultural, economic, and environmental. Participating artists include: Melanie Barnett, Kate Brown Salt Sky Studio, Wilma Butts, Elise Campbell, Hannah W Craig, Kristi Farrier, Jessie Fraser, I-Chun Jenkins, Bee van Kats, Steph Kincade, Karen LeBlanc, Mary Jane Lundy, Rhonda Miller, Nancy E. Oakley, Dorothée Rosen, Ralph Simpson, Jessie Tesolin, Jackie Toner, Tyshan Wright, Andrea Puzskar, & Josephine Clarke.

This exhibition is comprised of works of fine craft on display at the Mary E. Black Gallery and two community engagement projects, taking place at different locations during the 6-week exhibition. This combination will be a radical stimulus for the interconnectivity of community, craft, and sustainability.

Tape Repairs

I see lots of books that have been previously given an unauthorized tape treatment, sigh. In fact, most of the time, tape will probably make the situation much worse then if it had been left alone. Also, although there are products out there called things like "book tape" and "repair tape" and even "archival book repair tape," none of them are actually good solutions.

Nonetheless, here are a couple before-and-after examples of books where I had to remove a lot of tape. It's tricky and tedious, but it can be done.

Tricksy Folded Wrapper

This is a clever way to make a protective wrapper for a book. It is made from a single sheet of paper or folder stock. I saw this idea on outofbinding.com. She had received a package wrapped using this technique and posted photos of it on her website, calling it the turning triangle. I thought it looked like a great idea so I wanted to replicate it.

Here it is, fully open with the book in position.


A while ago, I posted the video on Instagram and several folks asked if there were instructions for making it, so I made this rough diagram to help you figure it out.

Disclaimer: This is just a sketch. The dimensions shown here are not set to fit any particular object. You should refer to the tips below to determine the actual measurements you need. Black lines are cuts and pink lines are folds.


You can click on the diagram to view a larger version.

Of course the dimensions are determined by the size of the book, or object, that you want to wrap. The dimensions are also affected by the thickness of the paper that you use for the wrapper. Thicker paper will create more obvious variations in the dimensions. I find the best approach is to have the book in place as you make each fold.

• A, B, C, D, E, F
  Each of these are based on the Height and Width of the book but there will be some small variation to accommodate the thickness of the wrapper material. A, B, C are landscape oriented. D, E, F are portrait oriented.
• G
  This piece can be used to create a flap. The height is the height of the book and the width would be determined by how much of a flap you want to have. The flap can either fold and tuck under (as in the video above) or fold it over and attach a string to wrap around. Also, it could be on the other side attached to D, depending on how you want to use it. Alternatively, it could be cut off entirely.
• H, I
  Book Width X Book Thickness, with some variation to accommodate the thickness of the wrapper material.
• J, K, L
  Book Height X Book Thickness, with some variation to accommodate the thickness of the wrapper material.
• M, N
  These should be the same length.
• The turning triangle
  From my experiments, it seems that the size of this triangle is negotiable. It can be small or large, doesn't matter. I think the key to success is ensuring that you have 90 degree angles at the two spots indicated on the diagram.

If you are familiar with other folded wrappers, this should be straight-forward. As with most things, practice is the key to making a perfect wrapper. Have fun!

Fine Bindings by Douglas Cockerell

Recently I had an opportunity to see a collection of fine bindings made by Douglas Cockerell. Cockerell is well-known to students of bookbinding. He is the author of the enduring instructional book, Bookbinding and the Care of Books, first published in 1901 and still used by many today. Also these small booklets, "Bookbinding as a School Subject" that he wrote. These are my own copies shown here. In this photo, books one and two are from the second printing; books three, four, and five are from the third printing.

Cockerell is especially known for his skills as a fine binder. The Killam Library at Dalhousie University here in Nova Scotia, has a collection of about a dozen books bound by Douglas Cockerell which I was able to see firsthand last week. There is a digital exhibit on the library's website with really great photos, better than any photos that I'd be able to take, so, have a look at the online exhibit at digitalexhibits.library.dal.ca/exhibits/show/cockerell/ which has multiple photos of each book as well as information about Cockerell's life.

Of course, Cockerell's bindery also developed a distinct style of marbled papers that have been used widely by binders around the world. Cockerell, and the others who worked with him, developed their own style and techniques for marbling that allowed them to produce high-quality marbled papers, replicating their patterns with ease, which is incredibly difficult to achieve with hand-marbled papers. There is a video available showing the Cockerell marbling process, where you can see how they manage to get consistent patterns every time: https://youtu.be/Vyga8VMWXKg. And here are a few pictures of the marbling on the books in the Dalhousie collection that I saw last week.

"The Embodied Press" exhibit, curated by Anthea Black

It is wonderful to see a local exhibit featuring book artists. The book arts are not often represented in local galleries, in my experience. Occasionally I'll see an exhibit that has a smattering of book art objects mixed in with other work, but as a general rule, the book art component is not central to the work or the exhibit.

However, the Mary E. Black Gallery in Halifax is currently exhibiting a collection of artists' books, curated by Anthea Black, who is a Canadian artist, writer, and curator. The exhibit features queer and transgender book artists and as stated on the gallery's website, "each work poses questions about difference, intersectionality and power to show that sexual, gender and racial difference cannot be easily understood or legitimized through public visibility alone." The individual works each convey important and striking messages about the issues in LGBTQ+ social history, juxtaposed with conventional and unconventional book forms.

The collection is wide-ranging in its use of binding structures, printing techniques, and its use of scale and content. There is a lot to see in this exhibit and it takes time to view because, as is often the case with books, book content can not be absorbed at a glance. The books themselves are very well executed. Using book structures in art sometimes appears to be an afterthought for conveying an artistic idea, but I thought many of the works in this exbibit were beautiful examples of structure and content working together effectively. There's a more in-depth look at the show posted on the NSBAG blog. Definitely check out the exhibit if you're in the area. The exhibit continues until May 7, 2023.

Recent marbling session

I don't have a space to keep my marbling gear set up all the time, so when I do find the time to set everything up, I try to be very productive. It takes me a few days just to get everything prepped and organized but once everything is ready, it's nice to just go for it and get lots done. So I recently spent a few days marbling and I thought I'd share some of the results here.

First of all, here's a quick video of me lifting a sheet of marbled paper. This was a nice zebra pattern, in various shades of pink and orange and mauve, very spring. This kind of zebra pattern is one of my favorites to do.

I ended up with quite a stack of papers this time. Most of the papers are for my own use, so I can do whatever I want for most of them. I tend to practice certain things each time. In previous sessions I would spend a lot of time practicing the Spanish wave or the bouquet pattern, etc. This time I did quite a number of zebra patterns. But there were lots of others too. Here's a little sample: