New Studio

I briefly mentioned, at some point, that I had moved into a new studio. That was 8 or 9 months ago. I still use the studio in my house for some things, but the bookbinding mostly happens in the new location. I thought it was about time that I shared a couple of pictures. So, taken from two different angles, this is most of it.

Spring Workshops

It seems that I really took a leave of absence since my last post. After so much blogging during the previous year, it was easy to take a break! I have not been taking any breaks from working, though. I conducted several workshops at the Nova Scotia Centre for Craft and Design during the past couple months, actually. It was lots of fun and the students did some lovely work. Some of the students were returning with varying levels of experience, and some were entirely new to bookbinding and/or marbling.

I conducted five sessions for one group, so it was a very good introduction to bookbinding for the newbies but also included new things for some returning students as well. I believe everyone completed seven or eight books over the five classes.

We made a couple different pamphlet stitches with paper covers (B-L) and a hardcover pamphlet (T-L); multi-needle chain stitch binding (T-R); and a hardcover album (B-R).

We also made hardcover concertinas (T-L) and chopstick notebooks (T-R). In another session, some students made the Japanese account book (B-L), and during a 2-day weekend workshop, I had a different group making books with the Criss Cross Binding, aka the Secret Belgian Binding (B-R).

There was also a weekend spent teaching the wonderful art of Ebru paper marbling.

Workshop season seems to be over now. I have no more workshops planned until August when I will be at the Morgan Conservatory in Cleveland teaching a workshop on the Chinese Thread Book. In addition to making a thread book, we will also be learning a bit about its history and its variations. Check back for information on Fall workshops at the Nova Scotia Centre for Craft and Design.